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BROWSE


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Client

Ryan and Jeshurun


Quantity Produced

100


Production Cost

$500


Production Time

1 month

Dimensions (Width × Height × Depth)

Invitations: 6 in × 9 in


Page Count


Paper Stock

Letra


Number of Colors

2 Spot

Varnishes


Binding


Typography

Sabon (Jan Tschichold)
Trade Gothic (Jackson Burke)
Arnhem (Fred Smeijers)

 

Ryan and Jeshurun developed their wedding materials with a series of elements that spoke to their history together, as well as what life had in store for each one of them at that moment. They met in a coffee shop, he manages a coffee shop, she was about to graduate from school and had access to a press…

Of course, as a graphic designer, there is some pressure to make your wedding invites a slice of design perfection. And on top of that, I was finishing my Master’s thesis in graphic design at RISD at the same time I was planning the wedding. Whew! Surprisingly, the invitations came together organically and without much stress. My husband Ryan manages a coffee shop, and we met in a coffee shop, so it seemed natural to incorporate that element as a design detail. Coffee plants are actually quite beautiful. I also recycled burlap coffee bags from his work by cutting them into small rectangles and attaching some home-made buttons of my own design to be used at the place settings.

I letterpressed my Save the Date’s at RISD and attached gorgeous hand-dyed silk ribbon (from Hanah Silk Ribbon) to create the bookmarks. To continue the book theme, I stacked books I had at home into the shape of a wedding cake and then photographed them and traced them loosely in Illustrator to create the invitations. My friend Elana at Spoon&Sailor Letterpress handled the printing of the invites since I wanted a perfect color-match and some additional letterpress expertise.

A rubber stamp and scalloped note cards from Paper Source made the RSVP’s a breeze. The menu was simply ink-jet printed on my Canon at home.
Shades of gray were the main color scheme, while shots of fuschia tied it all together.

As in most projects, there is a lesson to be kept (sometimes small and cheap, sometimes big and expensive):

I learned it is best to go to the letterpress experts, but I’m glad I fumbled my way through printing the save the dates myself. I like the salty look of how they came out. And cheap ribbon will not do, having the hand-dyed silk ribbon made all the difference.

Ryan and Jeshurun Wedding Invitation ---Ryan and Jeshurun Wedding Invitation ---Ryan and Jeshurun Wedding Invitation ---Ryan and Jeshurun Wedding Invitation ---Ryan and Jeshurun Wedding Invitation ---Ryan and Jeshurun Wedding Invitation ---Ryan and Jeshurun Wedding Invitation

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Ryan and Jeshurun Wedding Invitation

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Production Method

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Design

Jeshurun Webb

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Printing

Invitation: Spoon&Sailor Letterpress
Other materials: Jeshurun Webb

This post was published in the original layout of FPO so all images are smaller. Project descriptions as well as production lessons are quoted in the main content area.

Post Author

Bryony

Author Picture

Bryony Gomez-Palacio

Editor of FPO and co-founder of UnderConsideration LLC.

More: Online / On Twitter

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Date Published

October 15, 2010

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Filed Under

Wedding materials

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About

FPO (For Print Only), is a division of UnderConsideration, celebrating the reality that print is not dead by showcasing the most compelling printed projects.

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About UnderConsideration

UnderConsideration is a graphic design enterprise that runs a network of blogs, publishes books, organizes live events and judged competitions, and designs for clients.


online

Brand New / Displaying opinions and focusing solely on corporate and brand identity work.

Art of the Menu / Cataloguing the underrated creativity of menus from around the world.

Quipsologies / Chronicling the most curious, creative, and notable projects, stories, and events of the graphic design industry on a daily basis.

Speak Up (2002 – 2009) / Discussing, and looking for, what is relevant in, and the relevance of, graphic design. Archives Only.

Word It (2003 – 2010) / Encouraging creative diversity in the community through monthly, one-word challenges. Archives Only.

Brand New Classroom (2010 – 2011) / Providing a space for critique and opinions on student identity workArchives Only.

graphic design

Department of Design / Designing corporate and brand identities and full development of printed and digital matter for clients.

publishing

The 2010 FPO Awards / 2011, self-published.

The 2010 Brand New Awards / 2011, self-published.

Flaunt: Designing effective, compelling and memorable portfolios of creative work / 2010, self-published.

Events & Judged Competitions

Brand New Conference / A one-day event on the development of corporate and brand identity projects by some of today’s most active and influential practitioners from around the world.

Brand New Awards / Celebrating the best identity work produced around the world.

FPO Awards / Celebrating the best print work from around the world.

Writing

Graphic Design, Referenced: A Visual Guide to the Language, Applications, and History of Graphic Design / 2009, Rockport.

Women of Design: Influence and Inspiration from the Original Trailblazers to the New Groundbreakers / 2008, HOW Books.

The Word It Book: Speak Up Presents a Gallery of Interpreted Words / 2007, HOW Books.


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The End