These invitations exude a cheerful, playful presence, partly through the use of color, partly because of the hand-drawn type, and partly, because they have quirky little illustrations throughout. Also it looks like their reception was located in a huge cupcake. Winning wedding.
The wrapper was scored on press four times so it would lay flat when folded. Each insert card was hand edged with a rubber stamp ink pad to achieve the yellow edge. I designed rubber stamps for the return addresses on the save the date, reply cards and envelopes to save money. We used a yellow marker on the envelopes to create the yellow dingbats separating the address.
I wanted a very warm and inviting wedding invitation so I hand lettered everything and drew the illustrations and patterns by hand. Neither of us like things that are too frilly or fussy and are not fans of most script fonts. I based the illustrations and patterns on pet names we have for each other: me - a graphic designer (Bumble bee) and him - a lighting designer (Firefly). The colors followed the concept of light and design.
Hand lettering looks great but is very tedious and time consuming. I set text in another font first to rough in copy, spell check and proof before the final was done. We found out that the cross hatch pattern on the back did not create as deep of a relief in the paper as we expected because of the amount of coverage and how tight the lines are to each other. I would probably have made the pattern a little bigger so the pressure would disperse less evenly to create more texture from the letterpress.

Former intern at UnderConsideration LLC.
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UnderConsideration is a graphic design enterprise that runs a network of blogs, publishes books, organizes live events and judged competitions, and designs for clients.
online
Brand New / Displaying opinions and focusing solely on corporate and brand identity work.
Art of the Menu / Cataloguing the underrated creativity of menus from around the world.
Quipsologies / Chronicling the most curious, creative, and notable projects, stories, and events of the graphic design industry on a daily basis.
Speak Up (2002 – 2009) / Discussing, and looking for, what is relevant in, and the relevance of, graphic design. Archives Only.
Word It (2003 – 2010) / Encouraging creative diversity in the community through monthly, one-word challenges. Archives Only.
Brand New Classroom (2010 – 2011) / Providing a space for critique and opinions on student identity workArchives Only.
graphic design
Department of Design / Designing corporate and brand identities and full development of printed and digital matter for clients.
publishing
The 2010 FPO Awards / 2011, self-published.
The 2010 Brand New Awards / 2011, self-published.
Flaunt: Designing effective, compelling and memorable portfolios of creative work / 2010, self-published.
Events & Judged Competitions
Brand New Conference / A one-day event on the development of corporate and brand identity projects by some of today’s most active and influential practitioners from around the world.
Brand New Awards / Celebrating the best identity work produced around the world.
FPO Awards / Celebrating the best print work from around the world.
Writing
Graphic Design, Referenced: A Visual Guide to the Language, Applications, and History of Graphic Design / 2009, Rockport.
Women of Design: Influence and Inspiration from the Original Trailblazers to the New Groundbreakers / 2008, HOW Books.
The Word It Book: Speak Up Presents a Gallery of Interpreted Words / 2007, HOW Books.
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