ADV @ UNDERCONSIDERATION      Peek here for details

---

BROWSE


2012-13 FPO Awards
Lead Image

Fifth Letter Outreach Card

---

Production Method

Letterpress
Silkscreen

---

Design

Fifth Letter

Art Direction: Elliot Strunk
Design: Matthew Cook

---

Printing

Device Printshop

Fifth Letter hopes to cause a “positive disruption” with its screen-printed drink invitation, prompting potential clients to imagine how the firm can help them create a similar experience with their own happy hour hopefuls. Each card has a personally addressed and handwritten note on the back. Cheers! 

---

Client

Self-Promotional


Quantity Produced

50


Production Cost


Production Time

10 days

Dimensions (Width × Height × Depth)

6 in × 9 in


Page Count


Paper Stock

French Paper Poptone Whip Cream 140# Cover


Number of Colors

3 Spot (2 silkscreen, 1 letterpress)

Varnishes


Binding


Typography

Lavanderia by Lost Type Co-op
Futura by Paul Renner
Vitesse by HFJ
Knockout by HFJ

 


Fifth Letter Outreach Card
Fifth Letter Outreach Card
Fifth Letter Outreach Card
Fifth Letter Outreach Card ---

Recent Posts


Previous


Next

Project Description

Fifth Letter always attempts to connect with clients that will be a good fit. We seek out clients that appreciate what we bring to the table in terms of creativity, craft, and attention to detail. The aim of this card is to cause a "positive disruption" that prompts the recipient to pause for a moment and imagine how we can help them have a similar effect on their clients and/or customers.

Coupled with this "Let's Grab a Drink" invitation, is a hand-written note on the back of the card letting clients know that we have taken the time to address them personally and individually. We hope that this will resonate with the client making them feel unique and not just a part of another mass-produced campaign.

Production Lesson(s)

We figured out how to get the marbled "wood grain" effect on the front of the cards by not mixing all of the brown and black ink together evenly. When the squeegee was pulled over the screen, it created a unique effect in which every pull produced different, spectacular, results. We felt this perfectly complimented the one-off nature of the medium.

The other trick came in setting up the registration front to back when printing or debossing a total of five times. We managed to dial it in reasonably close. Next time, however, we'll add more bleed to push the crop marks much farther out.

Also, we used photopolymer plates that imprint the page surprisingly well compared to their traditional magnesium plate counterparts.”

Post Author

Author Picture

Kelly Cree

Former intern at UnderConsideration LLC.

More: Online / On Twitter

---

Date Published

March 22, 2012

---

Filed Under

Letterpress
Self promotion
Silkscreen
V1 to V2

---

Tagged with





---

Share to Facebook Share to Twitter Share to Google+ Add This

Ask the Experts

FPO has gathered a generous group of experts willing to help with your most pressing — get it?! — questions about print production. Send us an e-mail with your question and we will query the experts and post the collected answers.


---

About

FPO (For Print Only), is a division of UnderConsideration, celebrating the reality that print is not dead by showcasing the most compelling printed projects.

FPO uses Fonts.com to render Siseriff and Avenir Next.

FPO is run with Six Apart’s MovableType 4.32-en

Syndicate / RSS Feed

All comments, ideas and thoughts on FPO are property of their authors; reproduction without the author’s or FPO’s permission is strictly prohibited

Contact us by e-mail

Twitter @ucllc



Sign-up for Mailing List

Mailing list managed by MailChimp

Thanks to our advertisers





About UnderConsideration

UnderConsideration is a graphic design enterprise that runs a network of blogs, publishes books, organizes live events and judged competitions, and designs for clients.


online

Brand New / Displaying opinions and focusing solely on corporate and brand identity work.

Art of the Menu / Cataloguing the underrated creativity of menus from around the world.

Quipsologies / Chronicling the most curious, creative, and notable projects, stories, and events of the graphic design industry on a daily basis.

Speak Up (2002 – 2009) / Discussing, and looking for, what is relevant in, and the relevance of, graphic design. Archives Only.

Word It (2003 – 2010) / Encouraging creative diversity in the community through monthly, one-word challenges. Archives Only.

Brand New Classroom (2010 – 2011) / Providing a space for critique and opinions on student identity workArchives Only.

graphic design

Department of Design / Designing corporate and brand identities and full development of printed and digital matter for clients.

publishing

The 2010 FPO Awards / 2011, self-published.

The 2010 Brand New Awards / 2011, self-published.

Flaunt: Designing effective, compelling and memorable portfolios of creative work / 2010, self-published.

Events & Judged Competitions

Brand New Conference / A one-day event on the development of corporate and brand identity projects by some of today’s most active and influential practitioners from around the world.

Brand New Awards / Celebrating the best identity work produced around the world.

FPO Awards / Celebrating the best print work from around the world.

Writing

Graphic Design, Referenced: A Visual Guide to the Language, Applications, and History of Graphic Design / 2009, Rockport.

Women of Design: Influence and Inspiration from the Original Trailblazers to the New Groundbreakers / 2008, HOW Books.

The Word It Book: Speak Up Presents a Gallery of Interpreted Words / 2007, HOW Books.


---
The End