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BROWSE


Lead Image

Jasmine & Yale Wedding Invitation

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Production Method

Letterpress

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Design

Three Steps Ahead

Josh Korwin & Alyssa Zukas

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Printing

Josh Korwin
(with help from Mike Mische, Alyssa Zukas, Jasmine Baker)

Two wrongs don’t make a right, but two split fountains form a harmonious bond in this fun and colorful wedding invite from Three Steps Ahead. 

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Client

Jasmine Baker & Yale Quan


Quantity Produced

200


Production Cost

$350


Production Time

2 Weeks

Dimensions (Width × Height × Depth)

5 × 7 × in


Page Count

3


Paper Stock

Neenah / Environment / Birch / 80C
French Paper / Glo-Tone /Yellow Light / 65C
French Paper / Glo-Tone / Blue Light / A-7 envelopes


Number of Colors

3 plates, 5 colors (split fountain)

Varnishes


Binding


Typography

Studio Lettering by House Industries, Knockout by H&FJ, Hellenic Wide(foundry type)
Rustic (foundry type)
Microgramma/Eurostile (foundry type)
anonymous condensed gothic (wood type)

 


Jasmine & Yale Wedding Invitation
Jasmine & Yale Wedding Invitation
Jasmine & Yale Wedding Invitation
Jasmine & Yale Wedding Invitation
Jasmine & Yale Wedding Invitation
Jasmine & Yale Wedding Invitation
Jasmine & Yale Wedding Invitation
Jasmine & Yale Wedding Invitation
Jasmine & Yale Wedding Invitation
Jasmine & Yale Wedding Invitation
Jasmine & Yale Wedding Invitation ---

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Project Description

Our friends Jasmine & Yale are getting married soon, and we decided to go all-out with our letterpress habit to create their invitations. The design process started on the computer, but the goal from the start was to create something really special, where the computer would only play one part of the tune. For the invitation itself, we decided to create a 5-by-7-inch card with a three color design (3/0), using two plates of computer-generated photopolymer, and one “plate” of actual, historic wood type.

Production Lesson(s)

Using two split fountains in one job ended up creating the illusion of way more plates than we really used. It's a heck of a good way to make use of a limited number of plates.”

Post Author

Author Picture

Kelly Cree

Writer for UnderConsideration LLC.

More: Online / On Twitter

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Date Published

July 10, 2012

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Filed Under

Letterpress
Wedding materials

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About

FPO (For Print Only), is a division of UnderConsideration, celebrating the reality that print is not dead by showcasing the most compelling printed projects.

FPO uses Fonts.com to render Siseriff and Avenir Next.

FPO is run with Six Apart’s MovableType

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All comments, ideas and thoughts on FPO are property of their authors; reproduction without the author’s or FPO’s permission is strictly prohibited

Contact us by e-mail

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About UnderConsideration

UnderConsideration is a graphic design firm generating its own projects, initiatives, and content while taking on limited client work. Run by Bryony Gomez-Palacio and Armin Vit in Bloomington, IN. More…


blogs we publish

Brand New / Displaying opinions and focusing solely on corporate and brand identity work.

Art of the Menu / Cataloguing the underrated creativity of menus from around the world.

Quipsologies / Chronicling the most curious, creative, and notable projects, stories, and events of the graphic design industry on a daily basis.

products we sell

Flaunt: Designing effective, compelling and memorable portfolios of creative work.

Brand New Conference videos / Individual, downloadable videos of every presentation since 2010.

Prints / A variety of posters, the majority from our AIforGA series.

Other / Various one-off products.

events we organize

Brand New Conference / A two-day event on corporate and brand identity with some of today's most active and influential practitioners from around the world.

Brand Nieuwe Conference / Ditto but in Amsterdam.

Austin Initiative for Graphic Awesomeness / A speaker series in Austin, TX, featuring some of the graphic design industry's most awesome people.

also

Favorite Things we've Made / In our capacity as graphic designers.

Projects we've Concluded / Long- and short-lived efforts.

UCllc News / Updates on what's going at the corporate level of UnderConsideration.


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The End