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BROWSE


Lead Image

Walter Magazine Volume 01

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Production Method

Offset

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Design

Mr Cup + mediafix

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Printing

Drouin

This bilingual design magazine was named for Walter Gropius, German architect and founder of the Bauhaus school. Black varnished covers and lush full-bleed spreads reflect the publication’s exploration into aesthetic and creativity, and features about coffee and Ty Mattson appeal to designers around the world looking for a pick-me-up.  

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Client

Walter Magazine


Quantity Produced

3,852


Production Cost

$13,500


Production Time

3 months

Dimensions (Width × Height × Depth)


Page Count

180


Paper Stock


Number of Colors

4

Varnishes

1


Binding


Typography

Baskervill 1757
Akzidenz Grotesk

This piece is available for purchase for €25.00 ($27.97)


Walter Magazine Volume 01
Walter Magazine Volume 01
Walter Magazine Volume 01
Walter Magazine Volume 01
Walter Magazine Volume 01
Walter Magazine Volume 01
Walter Magazine Volume 01
Walter Magazine Volume 01
Walter Magazine Volume 01
Walter Magazine Volume 01
Walter Magazine Volume 01
Walter Magazine Volume 01
Walter Magazine Volume 01
Walter Magazine Volume 01
Walter Magazine Volume 01
Walter Magazine Volume 01
Walter Magazine Volume 01 ---

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Project Description

“THE ULTIMATE GOAL OF ANY CREATIVE PROJECT IS CONSTRUCTION! WE MUST ALL RETURN TO CRAFTSMANSHIP BECAUSE THERE IS NO SUCH THING AS PROFESSIONAL ART. THERE IS NO ESSENTIAL DIFFERENCE BETWEEN THE ARTIST AND THE CRAFTSMAN. LET US WISH, CONCEIVE AND CREATE THE NEW CONSTRUCTS OF THE FUTURE, THAT WILL EMBRACE ALL IN ONE SINGLE FORM.”

Walter is a quarterly magazine of 180 pages, 21×28 cm format. The edition is limited to 3,852 copies (1883 + 1969, dates of birth and death of Walter Gropius). The texts are in English and French. Walter is not another graphic design magazine, or just another design magazine; Walter looks at creativity, on the aesthetic and functional research, regardless of the time and place.

Production Lesson(s)

Doing a magazine is crazy! ”

Post Author

Author Picture

Jessica Mullen

Writer for UnderConsideration LLC.

More: Online / On Twitter

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Date Published

February 17, 2016

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Filed Under

Magazines
Offset

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About

FPO (For Print Only), is a division of UnderConsideration, celebrating the reality that print is not dead by showcasing the most compelling printed projects.

FPO uses Fonts.com to render Siseriff and Avenir Next.

FPO is run with Six Apart’s MovableType

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All comments, ideas and thoughts on FPO are property of their authors; reproduction without the author’s or FPO’s permission is strictly prohibited

Contact us by e-mail

Twitter @ucllc



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About UnderConsideration

UnderConsideration is a graphic design firm generating its own projects, initiatives, and content while taking on limited client work. Run by Bryony Gomez-Palacio and Armin Vit in Bloomington, IN. More…


blogs we publish

Brand New / Displaying opinions and focusing solely on corporate and brand identity work.

Art of the Menu / Cataloguing the underrated creativity of menus from around the world.

Quipsologies / Chronicling the most curious, creative, and notable projects, stories, and events of the graphic design industry on a daily basis.

products we sell

Flaunt: Designing effective, compelling and memorable portfolios of creative work.

Brand New Conference videos / Individual, downloadable videos of every presentation since 2010.

Prints / A variety of posters, the majority from our AIforGA series.

Other / Various one-off products.

events we organize

Brand New Conference / A two-day event on corporate and brand identity with some of today's most active and influential practitioners from around the world.

Brand Nieuwe Conference / Ditto but in Amsterdam.

Austin Initiative for Graphic Awesomeness / A speaker series in Austin, TX, featuring some of the graphic design industry's most awesome people.

also

Favorite Things we've Made / In our capacity as graphic designers.

Projects we've Concluded / Long- and short-lived efforts.

UCllc News / Updates on what's going at the corporate level of UnderConsideration.


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The End