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2017

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BROWSE


Lead Image

The main production concern for these book covers came long before printing—by finding the exact instruments, pressure, and technique required to obtain the perfect level of texture. The experimental phase, which might have been frustrating at times, paid off once printed in two lovely hues. 

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Client

Magvető Kiadó


Quantity Produced


Production Cost


Production Time

Dimensions (Width × Height × Depth)

Körkép: 4,8 × 7,2 × 1,37 in.
Szép versek: 4,8 × 7,2 × 1,1 in.


Page Count


Paper Stock

Efalin


Number of Colors

Varnishes


Binding


Typography

Caslon

 


Anna Hidvegi Book Cover
Anna Hidvegi Book Cover
Anna Hidvegi Book Cover
Anna Hidvegi Book Cover
Anna Hidvegi Book Cover
Anna Hidvegi Book Cover
Anna Hidvegi Book Cover
Anna Hidvegi Book Cover
Anna Hidvegi Book Cover
Anna Hidvegi Book Cover
Anna Hidvegi Book Cover
Anna Hidvegi Book Cover
Anna Hidvegi Book Cover
Anna Hidvegi Book Cover
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Project Description

I was commissioned by the most prestigious Hungarian literature publisher, Magvető Kiadó, to design the covers for the 2017 editions of their annually released contemporary Hungarian prose and poetry anthologies called Körkép (first published in 1964) and Szép versek (first published in 1963). Since 1964 the books have always been published in pairs. I wanted to create something simple, classical with a modern overtone, and add “physical human touch” to the design. Except the typography and the barcodes the whole cover is hand-drawn and scanned in at full size.

Production Lesson(s)

The most important thing was to achieve the feeling of an actual physical drawing on the covers. First I had to test several paper and pencil combinations to be able to find the best texture that would work well for scanning and printing too. Pencils that were too soft didn't give enough contrast so the texture was too homogeneous. After that I had to find the right balance of levels while working on the scanned in files and preparing it for printing to make it look as real as possible. ”

Post Author

Author Picture

Bryony Gomez-Palacio

Editor of FPO and co-founder of UnderConsideration LLC.

More: Online / On Twitter

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Date Published

August 14, 2017

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Filed Under

Books
Offset

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About

FPO (For Print Only), is a division of UnderConsideration, celebrating the reality that print is not dead by showcasing the most compelling printed projects.

FPO uses Fonts.com to render Siseriff and Avenir Next.

FPO is run with Six Apart’s MovableType

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All comments, ideas and thoughts on FPO are property of their authors; reproduction without the author’s or FPO’s permission is strictly prohibited

Contact us by e-mail

Twitter @ucllc



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About UnderConsideration

UnderConsideration is a graphic design firm generating its own projects, initiatives, and content while taking on limited client work. Run by Bryony Gomez-Palacio and Armin Vit in Austin, TX. More…


blogs we publish

Brand New / Displaying opinions and focusing solely on corporate and brand identity work.

Art of the Menu / Cataloguing the underrated creativity of menus from around the world.

Quipsologies / Chronicling the most curious, creative, and notable projects, stories, and events of the graphic design industry on a daily basis.

products we sell

Flaunt: Designing effective, compelling and memorable portfolios of creative work.

Brand New Conference videos / Individual, downloadable videos of every presentation since 2010.

Prints / A variety of posters, the majority from our AIforGA series.

Other / Various one-off products.

events we organize

Brand New Conference / A two-day event on corporate and brand identity with some of today's most active and influential practitioners from around the world.

Brand Nieuwe Conference / Ditto but in Amsterdam.

Austin Initiative for Graphic Awesomeness / A speaker series in Austin, TX, featuring some of the graphic design industry's most awesome people.

also

Favorite Things we've Made / In our capacity as graphic designers.

Projects we've Concluded / Long- and short-lived efforts.

UCllc News / Updates on what's going at the corporate level of UnderConsideration.


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