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The Graphic Designer Handbook

Do we always have to say what we think we should, or does it make more sense to be honest? Is it possible that there’s a difference between how people react to a message and how they think they’d react, and how they think others would react? Why do most “aspirational” messages sound like lies? Since when do category descriptors like “edgy,” “sophisticated,” “rugged,” or “preppy” encompass all human traits? Who comes up with terms like “hipster” and “metrosexual”? Who made you a commodity? Why did you allow it to happen? Does marketing manufacture desire and create attitudes, or does it just reflect what already exists? Do stereotypes come from a subtle yet true characteristic, or are they just rooted in anomalies that make for more interesting stories? What’s the point in believing what’s convenient, what seems to make sense, instead of what’s true? Why is complacency okay?

Who knew? Graphic designers are commuicators. Maybe if we—gasp! focus on WHAT WE DO—if we take a harder look at who we talk to, what we say, and how we say it, we can make a real difference. Look at it this way: people typically judge another’s intelligence based on their hairstyle, clothing, car, house, and profession. That’s why so many people assume—unconsciously, perhaps—that a plumber or construction worker isn’t as smart as a lawyer or banker. How did this happen and what do you want to do about it?

With the aging of the baby boomers, corporations are spending more money marketing to people over the age of 50; most of these individuals complain that the messages targeted to them are stereotypical and condescending. Age has just recently become as confounding a category as ethnicity, gender, and income bracket. Up until 1930, Italians were considered a race which sounds very strange, yet we still consider Hispanics, blacks, and Asians to be races as well. People pegged into one of these “groups” understand the marketing messages sent their way but rarely do they trust them, nor do they like them.

And its the assumptions made about each “group” that lead to the stupid messages that people choose to ignore and automatically dislike. But as much as people might hate something, that doesn’t stop it from playing a significant role in the fabric of our culture; the messages out there may not reflect how we think about ourselves and others, but they also don’t leave much room to imagine much else.

There’s a reason people hate branding and advertising, and the skepticism hanging like barnacles on the two is well-deserved. But maybe if we start talking to human beings like human beings, maybe if we address people as individuals and not as members of a group, maybe we’ll get somewhere. Commerce isn’t going to vanish because a few high-minded folks think its stupid and immoral; running away from it won’t help anything either. There’s a clear and present challenge out there known as indifference, and I’m wondering who wants to fight it.

Sometimes its good to play with fire. You might cause an explosion. And explosions are interesting.

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ARCHIVE ID 1659 FILED UNDER Discussion
PUBLISHED ON Nov.16.2003 BY bradley
WITH COMMENTS
Comments
Bradley’s comment is:

A couple of things motivated me to initiate discussion about this topic. The first was the talk from a couple weeks ago about the absense of women on Speak Up and the occasional references to sexism and the like. I mean, seriously, anyone who's spent three weeks working in this industry hears someone assuming that women only respond to pastels and pictures of puppies and babies. But pretty much anyone these days, even the usually immune "white male," gets stuffed into a silo too. It's like, if something "new" happens, or enough people behave in an unexpected manner, there will be an intense rush to define a category and analyze it. I don't blame this on business or marketing departments or focus groups; its not about blame. Its about the simple fact that human beings very frequently perceive things based on previously established assumptions.

Now, obviously, those perceptions aren't set in stone but there's also a tendency to think that they are. It's a proven fact that people change their minds, even on big important issues (how else could you go from the Clinton administration to what we've got now?).

What's unfortunate is that perceptions and stereotypes and assumptions perpetuate themselves because few people are willing to step in and say "no, not this time." Without presenting distinct, humanized messages soaked with intelligence, you'll never get anyone to think about anything. If people don't think about things, well, they don't stretch and life as we know it carves a deeper and deeper rut.

The second thing that compelled me to talk about this was all the renewed chatter about "The Power of Design," brought back to life by Helfand, Drentell, and Irwin. Among others.

My immediate reaction to everything they were saying was not terribly inspired, and even a little annoyed. Just a lot more talk about "making things better," or "building a sustainable future," and of course, "improving the quality of life." We can bitch and moan about the completely generalized approach in any of those arguments--and I will continue to, to a certain degree--but you can either be a whetstone or an angry hammer, and I'm not resigned to bludgeoning efforts at change.

Because fundamentally, they're a good thing. But the intentions alone aren't enough, and they're even less valuable when the focus just doesn't exist.

Look, there are TONS of different types of design out there, and a designer should be able to think about how anything can serve a purpose that advances an idea, sells goods & services, or clarifies information. One specialty is not superior to another one.

But what remains very clear to me, is that AIGA designers and the vast majority of people on this site specialize in COMMUNICATING. We design communications--annual reports, brochures, posters, packages, ads (am I the only one?), whatever. There's no logical limit to the communicative potential of anything, and I think we've done a pretty good job on this site discussing how to put more and more helium into the Balloon of Boundaries. I still can't help but feel that a lot of confusion and indecision lingers in people's minds after this conference. I wasn't there, so I should keep my comments in check, but if you attend a conference organized by a graphic design organization and talk about making spoons and cities and whatever highly theoretical academic intellectualized ramblings are cool this month, I'd be a little confused.

So maybe, just maybe, its time to talk about how we communicate. Maybe we should examine how we think about the people in this world, our audiences, learn what real human beings talk about and think about and worry about, and see if there's a route worth taking or building.

For all the talk of "improving lives," I hear almost no discussion of ACTUAL HUMAN BEINGS. None. What I've gleaned lately from some of the more so-called "intellectual" designers is that they too, just like the marketing departments, think about and refer to human beings as members of some giant, anonymous, generalized group. I'm sure its not intentional, but we've got to start thinking in terms of individuals and not demographics and psychographics.

On Nov.16.2003 at 07:33 PM
Matt Wright’s comment is:

Q: Do we always have to say what we think we should, or does it make more sense to be honest?

A: Honesty is the best policy. Anything else is just a misconcepted, spoon fed, over sensitive lie that will lead to misinterpretations and false sensibilites.

Q: Is it possible that there's a difference between how people react to a message and how they think they'd react, and how they think others would react?

A: We've all read the case study or heard a story that answers this question.

Q: Why do most "aspirational" messages sound like lies?

A: This is just me speaking, but when I'm told or suggested that I need something or to do something, I think about how its going to help me, and often forget about who else it is going to help and in what way. If I come to find out that I'm helping someone in a way I don't approve of, then there's a sense of deception and naturally I feel lied to.

Q: Since when do category descriptors like "edgy," "sophisticated," "rugged," or "preppy" encompass all human traits?

A: They don't. I would hope that everyone understands that a human is far more complex than a few adjectives. We tend to forget that a lot don't we?

Q: Who comes up with terms like "hipster" and "metrosexual"?

A: Someone who recognizes an general identity.

Q: Who made you a commodity?

A: Someone who knew that I have money that I like to spend on "stuff".

Q: Why did you allow it to happen?

A: I had no choice, I accept the fact that I like to buy stuff.

Q: Does marketing manufacture desire and create attitudes, or does it just reflect what already exists?

A: How can you want something if you dont know it exists or understand how it will make your life better? My mom was a "stay at home" mom, and one day I came home from school and found a big box from QVC on the porch. It was a food dehydrator. Why the hell did she ever buy that thing? We used it like once after we realized it sucked.

Q: Do stereotypes come from a subtle yet true characteristic, or are they just rooted in anomalies that make for more interesting stories?

A: Stereotypes are generalizations. Assumptions. Over-simplified concepts. Some are harmless, some are demeaning. We usually take insult when we feel like we've been "figured out".

Q: What's the point in believing what's convenient, what seems to make sense, instead of what's true?

A: The truth hurts. Its sad but true. We like to protect ourselves, even if it means you have to lie to yourself or only accept the face value of something.

Q: Why is complacency okay?

A: It makes our lives easier. And as long as its easier, then...well...as long as we can live easy and not worry about anything past our white picket fence, thats all that matters.

On Nov.16.2003 at 10:06 PM
Bradley’s comment is:

Honesty is the best policy. Anything else is just a misconcepted, spoon fed, over sensitive lie that will lead to misinterpretations and false sensibilites.

No kiddin'. But isn't interesting when you take a look around and see how many people consistently do things not out of any sense of personal motivation or desire, but simply because it's what they think they should do? This discussion aside for a moment, I know from direct experience that it's what leads to a lot of marital problems, which in turn spiral into other things. But it happens all the time in almost every single other aspect of our lives.

Every last one of us has seen a creative brief at some point and in the process of thinking up ways to communicate an interesting, memorable message, we've all probably stopped a line of thought just as it was heating up by rationalizing that "maybe we shouldn't do this..." Shit, I know I have.

Sometimes, that's okay. It's good to keep yourself in check. But to do it too much? Yikes. Is the alternative so bad...?

On Nov.16.2003 at 11:56 PM
Kevin Lo’s comment is:

Glad you brought this up Bradley instead of me. I hate being pigeonholed as the 'socially-conscious/activist/lefty/socialist-commie designer'. But I suppose that's what I am, so I'm very glad that this is being addressed.

You bring up way too many things to address all at once, but I'll briefly throw in my point of view (after yours)

What's unfortunate is that perceptions and stereotypes and assumptions perpetuate themselves because few people are willing to step in and say "no, not this time." Without presenting distinct, humanized messages soaked with intelligence, you'll never get anyone to think about anything. If people don't think about things, well, they don't stretch and life as we know it carves a deeper and deeper rut.

That is simply beautiful man. And I think you answer pretty much everything you're asking right there. So the question becomes the why (not) and how of making distinct, humanized messages, soaked with intelligence.

Why is difficult because of a number of things you mention. The system allows for little to exist outside of the market, and the market doesn't like things like people. But this is a really complex issue that doesn't really relate to GD. Step out of the system, just do it, it's risky but a whole hell of a lot more fun.

there are TONS of different types of design out there, ...One specialty is not superior to another one.

Exactly, I have a hard time being seen as a graphic designer by other designers. Not only because of the subject matter I tend to work with, but also because of the form it takes. My work will never look like an annual report. I don't think I could design one even if I tried. Does this make me less of a designer?

As for the how, I think this is a lot more interesting, but is really hard to define, and perhaps can't/shouldn't be defined. In my thesis(I keep linking this when these issues come up, starting to get old) I examine some of the things I think contribute to the 'dehumanising' aspect of graphic design, both in its form and in its effects. I don't really know how valid my argument is, but it's a start of what could be a really interesting dialogue.

Another approach, which could work well is to start by just looking at work that really works on a human scale, that touches someone, a la Sagmeister.

I recently visited the Stedelijk museum in Amsterdam where they were holding an exhibition of design from the sixties. Though overall the exhibition was pretty dull, they had an awe-inspiring collection of Amnesty International, Anti-war and solidarity posters. Here are a couple I thought were really amazing

I realise that everything I'm refering to is in the realm of political design and I don't think we should limit this discussion to that, but that's just where I'm coming from.

Another interesting thing my prof told me is that Graphic Design at its root is about creating certainties. From the use of a grid system, to the tagline and type treatment of an advertising message, its about making sure the viewer/consumer knows that we(or our client) know what we'retalking about. However most times that simply isn't the case, think Enron. You can't address someone in a human way if you constantly think you're right. There can't be any dialogue that way.

So I would add along with the necessity for Honesty, the necessity for uncertainty.

PS. Nice site and work Matt.

On Nov.17.2003 at 11:00 AM
Bradley’s comment is:

Thanks, Kevin.

Great work examples--political or not, it doesn't matter I think they represent a great route to take.

I've never had a problem with the "socially conscious" approach, I've just taken issue with the tendency to outright avoid the commercial world. Why would anyone do that? If anything, I'm just hoping people bring the more "responsible" mentality TO commercial design.

There's an old quotation out there about how "The problem with American poetry isn't that it's turned to prose, but that its turned to advertising copy." Yes. True. To an extent. But why not inject art and poetry into commerce? Why can't MORE catalogs have the same ethereal beauty that Takashimaya does? Why can't more advertising campaigns have the same level of majesty that HP or Nissan or even some of the older Nike spots have?

I see what you mean about the market not liking people, but...well, dammit, no. The market WILL find a way to like people if enough people demand that it does. I know there's a less simplified solution than that, but I don't want to be so...resigned to market forces just yet. I think we over-estimate them too frequently anyway.

Okay, I need to check out for a bit and ponder for awhile because I think my head might explode. I'm not making any sense right now.

On Nov.17.2003 at 11:44 AM
Matt Wright’s comment is:

Why not inject art and poetry into commerce?

Holy crap I wish this could happen more often, but American's just don't respond to it. There's no appreciation or understanding of it. Art is based on deep, imaginative concepts rooted in experience, a far cry from shallow and trite advertising messages. It takes education to understand it or even develop an appreciation for it...and we all know how important education, let alone art, is in this country. *barf*

On Nov.17.2003 at 08:50 PM
mrTIM’s comment is:

I hate to be the bringer of bad news, but people just don't care.

We as the slightly more enlightened notice the bombardment of advertising directed at us. But the average person (all my friends) don't even blink an eye when catchy tag lines like "Tobacco is Wacko" and "Click it or Ticket" come flying in their direction.

Really? "Tobacco is Wacko? Do we really need to base a no smoking campaign on such a stupid tag line?

On Nov.17.2003 at 10:00 PM
Bradley’s comment is:

Matt--

True, to an extent. But in some ways, what you're talking about echoes what I was mentioning in the first place. I believe that while the vast majority of the population couldn't give less of a shit about foreign films and avant-garde theater, I also know that in bits and pieces, they DO respond to good work. No one likes to be treated disrespectfully, and most advertising, most marketing messages of any kind, treat people in a pretty condescending manner.

So when I say art, I mean easily understood, intelligent, respectful, messages. Things of accessible beauty. There's a balance to be struck, for sure, but I think its possible.

If people have the interest. Which, I'm afraid, they probably do not.

On Nov.17.2003 at 10:06 PM
Bradley’s comment is:

Really? "Tobacco is Wacko? Do we really need to base a no smoking campaign on such a stupid tag line?

Dude, I couldn't agree with you more. That's exactly, EXACTLY what I'm saying. It's our job to uncover the truth and beauty in essence in everything, everything familiar, everything known, everything expected, pull it out and present it in a fashion that gives you no other choice but to care.

I don't think anyone is content with the way things are and the messages we see; it's our obligation as communicators to stop the shouting and the rambling and the kitschy-cool headlines and start a fucking dialogue.

On Nov.18.2003 at 12:54 AM
Matt Wright’s comment is:

I agree with you Bradley. I wasn't necessarily talking about foreign films or abstract expressionism. I only graduated this past May abd I sat in many many critiques where the majority of my classmates did dry, boring, dull, unconcepted work, partly due to the school I went to (even though its supposed to have a "great" program), but there's always a few students who "get it" and do amazing well thought out work. However, in our critiques, when it was time to talk about the more interesting, intelligent, passionate work (the work more closely related to art), the majority didn't know how to talk about it or respond to it. Comments were short, boring, unconstructive, and left to superficial sound bytes. Maybe its just my experience, maybe I'm a bit jaded. But if my own classmates, people that are graphic designers who like mrTIM says are "more enlightened", can't even respond to work like that...I can't help but wonder what their problem is, but more importantly is there something causing this aside from maybe not wanting to be in class because they're hungover or gazing at the cute girl/boy next to them.

On Nov.18.2003 at 10:49 AM
Bradley’s comment is:

Matt--

Ha, I totally hear where you're coming from. My educational environment was a bit more constructive than yours, but, the flipside was that some people got waaaaaaaay to esoteric.

Most marketing people aren't going to get into this way of thinking, at least not until someone demonstrates to them that it does make money--I had a previous thread running here about that sort of accountability, and I believe its necessary for designers to accept it if they want more respect and influence.

Something happened to me recently in a presentation of some work I did for one of my agency's clients. The direction I went in (for a sports team) was...pretty "raw" and aggressive. The alternative was much, much softer. The marketing people looked at both and said, "well, as a customer and as a fan, I like the raw and aggressive approach. But as a marketing person...I don't like it at all." So what'd they go with? NOT the raw and aggressive one. I thought that was odd, and totally indicative of how people look at other people--they don't. They look at how they THINK about other people, and use that as their foundation to reality.

Not everyone does. Either we make an effort to change that, or it forever remains the same.

On Nov.18.2003 at 04:00 PM
Teal’s comment is:

Well, this is the first thread I feel capable of responding to ...

I think the problem lies with Culture. We are taught to consume pre-made objects, sounds, ideas.

In that context, where personal creativity is denied, is it any wonder that people don't tune in very well to the real?

Corporations don't want dialogues, they want accountable results. Statistics, calculable risks and outcomes.

And people want whatever is cheapest much of the time. Not that they don't like expensive things, but that they would rather save 20 cents today, than 2 dollars over the life of their purchase.

And its ok to have a poorly made item, much of the time. The exception being certain kinds of tools, where the values of quality, survivability, and precision still count.

Maybe this is partly a response to complexity?

What I wonder, is whether GD's can use their skills outside the revenue stream, but still within the culture? This website being an example. If most graphics are done to support organisations whose value system is financially based, is it not surprising that the 'art' people are educated to, is that with which they are constantly bombarded. We are trained to appreciate art. Art in the service of merchandising, or feel good/feel bad political simplisms.

Since communication is so important. And much of it is handled for us these days by 'caring corporations', how do we reassert our own ability, choose our own expression, once more? I think about this a lot.

On Nov.20.2003 at 07:14 AM
Kevin Lo’s comment is:

I think about this a lot too. I know this isn't a constructive comment, but I really do think about this a whole hell of a lot.

On a personal note, I can't communicate with the person that is closest to me anymore. She has put up a wall that I can't find a way to get past. I think of myself as a communicator, not really as a graphic designer. I should be able to speak with honesty and uncertainty to the people I love the most, if I am going to be able to really communicate with anyone at all. The fact that I can't do this anymore hurts a whole hell of a lot.

Is this related, have we forgotten how to communicate as human beings? I know I'm waxing overly philosophical now, but in some ways, isn't this the fundamental issue?

On Nov.20.2003 at 08:39 AM
Bradley’s comment is:

Is this related, have we forgotten how to communicate as human beings? I know I'm waxing overly philosophical now, but in some ways, isn't this the fundamental issue?

Yeah, absolutely. So many people, and not intentionally, would rather live and speak in the world as they imagine it in their minds, not as it really is. Because we're all afraid to say conclusively that to some degree, there's an objective reality. Just look at any movie, "independent" or not, and watch the stereotypical cues they use to speed up your impression of who specific characters are and the roles they play.

Here's the thing. Go to any bookstore, airport terminal, or bus stop, and you'll see people sitting there, usually flipping through this and that, magazines, newspapers, whatever. All of them are searching for something, anything, of value, meaning, something that engages their mind and perhaps changes their perception on something. We're way too quick to assume that "people don't want to think," but my whole point in this thread is that...they do. They also want to feel, and, they want to be heard. Design isn't going to solve even half of that, but for as long as its a means of communication, then it certainly plays a role.

On Nov.20.2003 at 09:22 AM
nancy mazzei’s comment is:

Q: Do we always have to say what we think we should, or does it make more sense to be honest?

A: Mostly it’s not what you say but how you say it. You CAN be honest figure out a way to say it in a way that the “client” can take it in.

Q: Is it possible that there's a difference between how people react to a message and how they think they'd react, and how they think others would react?

A: Where I work that’s called over thinking.

Q: Why do most "aspirational" messages sound like lies?

A: humm..I’ll take it from a sports point of view, I’m a crazy gym person, and when I hear “just do it” i laugh when my trainer is having me step up 30 times with 25lbs I wish “just do it” where that easy. And i’m sure when you’ve been a smoker for 25 years and some company gives some stupid line about quitting you wish it was that easy..they sound like lies because most of them are �hollow” and while they seem aspirational they are still advertising —which makes everything seem better and easier then it really is.

Q: Since when do category descriptors like "edgy," "sophisticated," "rugged," or "preppy" encompass all human traits?

A: since advertising was invented and since the first focus group was ever used.

Q: Who comes up with terms like "hipster" and "metrosexual"?

A: Andy Warhol..it’s pop culture

Q: Who made you a commodity?

A: I did

Q: Why did you allow it to happen?

A: my parents had kids I cant help it

Q: Does marketing manufacture desire and create attitudes, or does it just reflect what already exists?

A: Both. it’s a complete circle.

Q: Do stereotypes come from a subtle yet true characteristic, or are they just rooted in anomalies that make for more interesting stories?

A: to me there are “types’ don’t know where the “stereo” came in. And to that I say it’s all rooted in

characteristics/similarities among “types”

Q: What's the point in believing what's convenient, what seems to make sense, instead of what's true?

A: I’ll take truth BECAUSE it hurts, but that’s rooted in my life story which is not for Speak Up.

Q: Why is complacency okay?

A: Oh man it’s not okay, what can be worse?

On Nov.20.2003 at 09:58 AM
Bradley’s comment is:

which makes everything seem better and easier then it really is.

So true. That's the hell of it all, and its not so much that people create messages like that, but more a matter of people believing them. There's gotta be something more.

I’ll take truth BECAUSE it hurts, but that’s rooted in my life story which is not for Speak Up.

Rock on. Why do you take it because it hurts? I mean, I totally agree, but I'm always curious about why specifically people prefer truth to something more glossed over.

On Nov.20.2003 at 03:01 PM
Teal’s comment is:

'Q: Do stereotypes come from a subtle yet true characteristic, or are they just rooted in anomalies that make for more interesting stories?

A: to me there are “types’ don’t know where the “stereo” came in.' - Nancy

I believe it comes from the early 20th century stereo glasses. You moved a sequence of still images in front of them, and it produced a hand controlled 'animation'. The 'types' of people included, because the message was limited in length were 'cliches', to borrow another word.

At least, that's how I remember it.

On Nov.20.2003 at 11:01 PM
nancy mazzei’s comment is:

Well the answer has nothing to do with design..i grew up on farm land my dad built houses for a living, some days it would be like 120 out and he’d be putting shingles on some guys roof, he’d come home so sunburned i’d be scared of him. Then i think what I do for a living, air-conditioning, music playing, there is a truth in here..I know it’s a deep answer but, shit I make stuff that will eventually become garbage the LEAST I should do is take the brutal truth straight up whatever it is in whatever form..hope that doesn’t sound like therapy..best answer I can come up with.

On Nov.21.2003 at 11:03 AM
nancy mazzei’s comment is:

oh yeah did I ADD That gloss rubs off truth sticks?

On Nov.25.2003 at 11:47 AM