Just like last year, we thought it would be fun to do a rundown of our materials for the 2011 Brand New Conference that took place back on September 16. And, also, like last year, we have plenty of leftovers that we are offering up for purchase here. Keep scrolling to read some details about each piece. Swag is no longer available for purchase.
Poster + Swag.
The concept of the materials stems from the hand-drawn, brush lettering that was originally inspired by small grocery stores, bodegas, and buying things on sale by the pound. So we extended the idea of blowout sale prices to the t-shirt, tote bag, and sketchbook by just listing the production price on the front. Kind of silly, but we thought it would be funny to walk around with a random money amount. The t-shirt, at $4.15, turns out to be the main phone area code for San Francisco — something we didn’t plan, but I guess it was meant to be. The idea too is that we didn’t want to just sell a t-shirt with a giant “BRAND NEW CONFERENCE” on it, so it’s less a promotion for the event and more just a general kind of t-shirt. The program, poster, and tote bag extend the grocery store metaphor by being translucent, as if you were looking at a sale sign painted on or posted through a glass window. The poster is printed offset with a lot of juicy overprinting and is full of design-ey stuff — you can download a PDF preview too.
You can click on any photo to view bigger in a pop-up.
For the program we chose this really funky Neenah Paper, Coronado with a Stipple finish, that feels like licking a slick wall. Not that I’ve ever licked a slick wall, but it has a lovely raised texture and a fun sheen to it that make it nice to hold in your hands. The body is printed digital, and I love how far digital printing has come that it now has a very convincing finish to it that it doesn’t look like it came out of Kinko’s anymore. The cover is a very light translucent that we used to create some type and text interaction.
We didn’t do American Apparel again. It’s hard to spend twice the money for it. But went back to Gildan Soft Style in a fire-engine-red color. Our main man at Standard Deluxe, Scott Peek, did a double-hit of white to make the dollar amount pretty opaque.
Very straightforward: chipboard cover and blank pages. Fits in your ass pocket. Courtesy of the flawless ScoutBooks.
This is one of the few clear totes out there and the moment I saw it I loved it and knew this was the direction we wanted to take the whole set of materials in. It was also a bit of a gamble because we had no idea what the printing would look like on the clear material. But the good thing is that silkscreen will adhere to anything but egg yolk and the tote came out super great. Red is a bit darker than we wanted but still pretty cool.
This year, the poster was my favorite piece to make. In part because of the concept and design challenge of filling a giant page with bits and pieces of San Francisco design history and its icons. But also because of the production challenge, knowing that BurdgeCooper was in for printing the poster in 4 spot colors. (Somehow it seems easier to design for 1- or 2-color printing). Since the colors of the conference identity were basically a version of CMYK I immediately thought that it would be fun to do lots of overprinting, because it’s not something I get to do often. There were so many different elements and different ways that the overprinting worked that I had to do the color separations myself and I prepared the InDesign file in an as old-school-as-possible way so that they would just have to output each layer to plate and all the trapping and overprinting would already be there. This was in part because I’m a control freak and I wasn’t sure if prepress was going to get all the different spots. Anyway. Turned out great!
For your perusing pleasure: Download PDF of the poster.

Editor of FPO and co-founder of UnderConsideration LLC.
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UnderConsideration is a graphic design enterprise that runs a network of blogs, publishes books, organizes live events and judged competitions, and designs for clients.
online
Brand New / Displaying opinions and focusing solely on corporate and brand identity work.
Art of the Menu / Cataloguing the underrated creativity of menus from around the world.
Quipsologies / Chronicling the most curious, creative, and notable projects, stories, and events of the graphic design industry on a daily basis.
Speak Up (2002 – 2009) / Discussing, and looking for, what is relevant in, and the relevance of, graphic design. Archives Only.
Word It (2003 – 2010) / Encouraging creative diversity in the community through monthly, one-word challenges. Archives Only.
Brand New Classroom (2010 – 2011) / Providing a space for critique and opinions on student identity workArchives Only.
graphic design
Department of Design / Designing corporate and brand identities and full development of printed and digital matter for clients.
publishing
The 2010 FPO Awards / 2011, self-published.
The 2010 Brand New Awards / 2011, self-published.
Flaunt: Designing effective, compelling and memorable portfolios of creative work / 2010, self-published.
Events & Judged Competitions
Brand New Conference / A one-day event on the development of corporate and brand identity projects by some of today’s most active and influential practitioners from around the world.
Brand New Awards / Celebrating the best identity work produced around the world.
FPO Awards / Celebrating the best print work from around the world.
Writing
Graphic Design, Referenced: A Visual Guide to the Language, Applications, and History of Graphic Design / 2009, Rockport.
Women of Design: Influence and Inspiration from the Original Trailblazers to the New Groundbreakers / 2008, HOW Books.
The Word It Book: Speak Up Presents a Gallery of Interpreted Words / 2007, HOW Books.
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