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Lead Image

When I first saw this wedding invitation I knew it had to be a small run—there is just now way to sustain the beautiful hand-stitching for a large quantity. Without a doubt each copy is a labour of love. 

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Client

Personal project


Quantity Produced

13


Production Cost


Production Time

5 hours

Dimensions (Width × Height × Depth)


Page Count


Paper Stock


Number of Colors

CMYK

Varnishes


Binding

Hand-stitched


Typography

Trajan Pro
Goudy Old Style

 


Laura & Simon Wedding Invitation
Laura & Simon Wedding Invitation
Laura & Simon Wedding Invitation
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Project Description

My fiance and I wanted a small destination wedding, meaning that for so few invitations needed, many expensive printing options were off the table. Earl Dobec, an account executive at Colour Innovations in Toronto who I have been doing business with for years, kindly offered to print what we needed for free. The front and the back of the invitations were printed on separate cards, and it was a fairly effortless process to glue them together and drill the holes required for the stitching with a Dremel. Finally, the border of each invitation was stitched by hand, which was the most time-consuming part of the whole thing.

The front illustration was taken from a vintage French prayer card, which I cleaned up and refined digitally. I wanted to rest of the card to exude simplicity and elegance, with a small, subtle nod to a Southwestern motif on the back, as befits the location of our ceremony.

Production Lesson(s)

As with my hand-made Family Recipes book, I continue to believe that costly printing processes, overly fussy design and a big budget are not always necessary to create a good print piece - attention to detail and a personal touch can go a long way.”

Post Author

Author Picture

Bryony Gomez-Palacio

Editor of FPO and co-founder of UnderConsideration LLC.

More: Online / On Twitter

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Date Published

April 21, 2016

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Filed Under

Digital
Wedding materials

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About

FPO (For Print Only), is a division of UnderConsideration, celebrating the reality that print is not dead by showcasing the most compelling printed projects.

FPO uses Fonts.com to render Siseriff and Avenir Next.

FPO is run with Six Apart’s MovableType

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All comments, ideas and thoughts on FPO are property of their authors; reproduction without the author’s or FPO’s permission is strictly prohibited

Contact us by e-mail

Twitter @ucllc



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About UnderConsideration

UnderConsideration is a graphic design firm generating its own projects, initiatives, and content while taking on limited client work. Run by Bryony Gomez-Palacio and Armin Vit in Austin, TX. More…


blogs we publish

Brand New / Displaying opinions and focusing solely on corporate and brand identity work.

Art of the Menu / Cataloguing the underrated creativity of menus from around the world.

Quipsologies / Chronicling the most curious, creative, and notable projects, stories, and events of the graphic design industry on a daily basis.

products we sell

Flaunt: Designing effective, compelling and memorable portfolios of creative work.

Brand New Conference videos / Individual, downloadable videos of every presentation since 2010.

Prints / A variety of posters, the majority from our AIforGA series.

Other / Various one-off products.

events we organize

Brand New Conference / A two-day event on corporate and brand identity with some of today's most active and influential practitioners from around the world.

Brand Nieuwe Conference / Ditto but in Amsterdam.

Austin Initiative for Graphic Awesomeness / A speaker series in Austin, TX, featuring some of the graphic design industry's most awesome people.

also

Favorite Things we've Made / In our capacity as graphic designers.

Projects we've Concluded / Long- and short-lived efforts.

UCllc News / Updates on what's going at the corporate level of UnderConsideration.


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